Singing In The Rain, Singing In the Art Studio

February 26, 2010 at 4:41 pm | Posted in Considering Ideas | Leave a comment
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Excuse me while I digress from visual art, again, as there’s the rhythm talk on this blog also. It all started in a fit of studio cleaning with Foreigner blasting from the CD player, fast feet, drumming hands, and singing. Allegedly, also involved was half a bar of Green & Black organic milk chocolate with peanuts. Fiery energy whirled ‘round the space. Aside from the shoe shuffling, floor sweeping was neglected, but the counters, palette area, and drawing table are cleared, ready to go now.

Creativity all comes from the same place as we are expressive creatures, it just takes various forms. Our human bodies are tools and instruments; from our brains, eyes, mouths, to hands to feet and shaking hips. Exploring all of it is just natural, enhances life and gives me insights for the visual work.

And sometimes, when there’s a snag in the creative process, or when the pipe feels clogged, doing a 180 is exactly what is needed. At times a walk clears the head, or I pull out music, the drum, the guitar, the twinkling toes. It’s a swirling out to the edges process so I can come back to center refreshed.

I certainly don’t consider the other artistic expressions equally to my visual art as the originality is not there. I haven’t given it enough time for that. My art images come from inside of me, from my soul. With music, I’m using the melodies and lyrics of others-a huge difference.

But it’s fun, and so rewarding.

Still, my tendency is to jump into a project with both feet and carry it to a level of resolution. To illustrate how far I took this singing, for instance. I’m sharing my, hang on… Ta Dah!… raw GarageBand version of a favorite song. I actually purchased a mechanical license to make 25 copies (minimum) of this song from the publishers, Harry Fox. For the understanding and experience of doing it, to acknowledge John Prine as the writer of  Angel From Montgomery, and so I don’t have to look over my shoulder. It’s from my album titled: Not Ready For The Big Time. They asked for an album title in the licensing process. It’s so not ready that right now there’s only one song on it.

Angel-From-Montgomery

The next post may be musings on distractions in the studio.

Art Business

January 26, 2010 at 11:23 am | Posted in Art Studio, Considering Ideas | Leave a comment
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self-portrait-collage

self-portrait collage

“Artist/Woman Thinking About Stuff”

That is, art business, paperwork, facts & figures.

Art Studio Approach

August 17, 2009 at 9:43 pm | Posted in Art Studio | Leave a comment
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_1-palette-brushes

What does an artist’s working space look like?  I’ll be posting some more shots of the studio here. This is the steel rolling cart that holds brushes on top and paints underneath, and it’s where I mix colors.

Many of the brushes in the background are for oil paint. Yes, there are separate brushes for each medium. Love your brushes-take care of them. Good ones are pricey and using them is like playing a beautiful instrument; there is no off-key twang, just harmony and control as you sculpt paint with them. Even less expensive brushes can last a long, long time with care.

In my younger days, I’d let paint dry on brushes. Even after cleaning them, pushing those around on the canvas later was like wading through gritty mud. No matter what hand-eye control there was to muster, the brush could not respond fully.

Let me say it again. Love your brushes!

_palette-2a

In working with acrylics, I use a sheet of framing glass on top of a piece of white paper as a palette (it’s actually white palette paper so there’s a coating on it, water doesn’t soak through if it gets sloshed). The white paper gives good contrast for mixing colors. Acrylics dry quickly so I cover them with reused plastic snack cups and just pull out a bit at a time. That way, I can mix a good amount and it’s usually good to go the next day also.

The three jars are filled with water for cleaning the brushes: first wipe off excess paint; swish off excess paint in water; rinse, and rinse again. It’s become automatic between colors or when switching brushes. At the end of the painting session, the brushes are washed with “the Masters” brush cleaner and preserver soap.

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